![]() At a jam session, Kielbania recruited a flute player named John Payne. The band consisted of Morrison, bassist Tom Kielbania, and drummer Joey Bebo. Sheldon, the 17-year-old guitarist, had been ditched by this point. The club mostly hosted jazz, but Morrison’s poet rock fit right in. (Today, it’s a stack of rehearsal studios beneath a pizza joint.) Hieroglyphs and Egyptian motifs decorated the walls. Those gigs took place at a subterranean nightclub called the Catacombs, at 1120 Boylston Street in the Fenway, two floors below a pool parlor. He booked several shows under the name “The Van Morrison Controversy” to hone the new material. By late August 1968, Morrison had already impressed Merenstein and experienced the prophetic dream that dictated his new sound.
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